Learning on a different wavelength

You can hear the beats sounding loud from the open windows of passing cars on a balmy afternoon in downtown Oakland, and you may catch snatches of a radio host interviewing the guest of the hour, or a commentary you wish you could hear more of.

But you might never know, walking past the sleek four-story downtown Youth Radio building at 1701 Broadway, that just inside it young people from 15 to 21 are working at newsroom desks and in soundproof studios to send those voices and that music into their community and the larger world.

Since Youth Radio began in 1990, it has introduced some of the freshest voices in broadcast journalism to listeners who tune into local stations, National Public Radio, and, most recently, streaming Internet sites. It trains 1,300 youth each year to develop core competencies in audio, video, web and print and to produce the highest quality original media for the widest possible audience. An estimated 27 million people hear and read the often-overlooked perspectives of young people through Youth Radio’s work each year.

However, Youth Radio also provides a compelling example of collaborative learning through peer apprenticeships, whose effects reach far into the lives and futures of Bay Area youth.

From the moment they come in off the street to fill out an application, these young broadcasters start building and sharing their skills—not just in research, writing, speaking, and media production but in workplace interactions, personal relationships, and life management.

This video presents the powerful 4-part strategy through which Youth Radio strengthens those skills through deliberate practice. It’s worth studying closely, through the voices of two young participants, Denise Tejada and Shaw Killip, whose lives it changed. Send it on to a teacher who needs a lift this week!

Pick up the baton!

Watch 3-year old Jonathan joyously wield his conductor’s baton to the 4th movement of Beethoven’s Fifth Symphony, and you just have to ask: What happened here?

How many times has he listened to this music, making its rhythms and phrasing part of his physical and emotional world? Whose encouragement led him with baton in hand to express his whole-hearted glee? How often did he observe other conductors on the stand, soaking in and imitating their movements? And how often did he repeat his own rendition, fine-tuning it consciously or unconsciously each time?

In the answers, we might learn something about what contributes to building other skills that we hope our children will develop. Wiping his runny nose as he bounds through Beethoven, Jonathan overflows with innocent joy in his exploration and expression of the conductor’s craft. And the video’s last seconds, as he collapses in helpless laughter on the rug, vividly show the glorious stretch we feel when going to the limit for the next great thing we can do.

Unless we don’t feel that—because frustration or humiliation bring us down. Someone helped Jonathan get there, freeing him to celebrate every step and take another. Just think what our kids could do if we figured out how to be that person for them!

Starting today, I’ll be posting a series of reflections on a parent’s role in practice–whether our kids are practicing music, or athletics, or schoolwork, or getting to bed on time. Calling on your contributions as well as the research about cognition and development, we’ll create “A Family Guide to Practice” with ideas for parents and close-in caregivers. Please write in your questions and experiences—and stay tuned!

Singing Pythagorus


Anyone who remembers the periodic table via Tom Lehrer’s wonderful song “The Elements” (below) will also appreciate this musical mnemonic ditty about the Pythagorean theorem, composed by a high school boy from Pendleton County (KY) High School. Does anyone else have a great one to contribute? (If you send yours in, we’ll send you a complimentary copy of Fires in the Mind.) And tell us: Does this kind of practice work for your students?

No one can blow that horn but you!

I recently had a very interesting letter from a teacher named John, in Southern Ontario. He had retired last June after 25 years of teaching high school English — followed by seven years as a music educator!

In those last years teaching music, he says, he developed a passion for it that went far beyond his real enthusiasm for teaching English.

Now John volunteers at a local elementary school, where he has started a concert band. None of his students could read music when they joined the band, he says. Most of them joined “because it looked like fun, because they wanted to be with others who were doing it.”

The kids, John wrote, pulled off a laudable winter concert. But now, he said, “the honeymoon is over!” As the children reach a musical level where they hit significant frustration, they are starting to drop out of the band.

John is a big believer in practice. He knows that’s all his students need to make it past the hump. But he says that he can’t compete with the culture that surrounds them.

Athletics compete with music for kids’ time. A high-tech paradise entices and distracts them. And too few parents can be there to cheer kids on through those frustrating practice sessions in the six days between rehearsals.

In music, just like sports, you just can’t get away with not doing the practice. “You can rip off an essay from the internet,” this former English teacher says. “But no one can blow that horn but you!”

What do parents think of John’s dilemma? Let us know how you are handling the problem! We’ll mail a free copy of Fires in the Mind to whoever sends in the best comment on this subject.